Stacks of Wheat (End of Day, Autumn) by Claude Monet

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Stacks of Wheat (End of Day, Autumn)

Claude Monet · 1890–91

Artist
Claude Monet (French, 1840–1926)
Date
1890–91
Medium
Oil on canvas
Size
65.8 × 101 cm (27 7/8 × 39 3/4 in.); Framed: 90.9 × 125.5 × 123.2 cm (35 3/4 × 49 3/8 × 48 1/2 in.)
Made in
France
Style
Impressionism
Where to see it
Art Institute of Chicago

Mr. and Mrs. Lewis Larned Coburn Memorial Collection · CC0 Public Domain · Art Institute of Chicago · image via Wikimedia Commons · see it at the museum ↗

Notes from the museum

The monumental stacks that Claude Monet depicted in his series Stacks of Wheat rose fifteen to twenty feet and stood just outside the artist’s farmhouse at Giverny. Through 1890 and 1891, he worked on this series both in the field, painting simultaneously at several easels, and in the studio, refining pictorial harmonies. In May 1891, Monet hung fifteen of these canvases next to each other in one small room in the Galerie Durand-Ruel in Paris. An unprecedented critical and financial success, the exhibition marked a breakthrough in Monet’s career, as well as in the history of French art. In this view, and in nearly all of the autumn views in the series, the conical tops of the stacks break the horizon and push into the sky. But in most of the winter views, which constitute the core of the series, the stacks seem wrapped by bands of hill and field, as if bedded down for the season. For Monet, the stack was a resonant symbol of sustenance and survival. He followed this group with further series depicting poplars, the facade of Rouen Cathedral, and, later, his own garden at Giverny. The Art Institute has the largest group of Monet’s Stacks of Wheat in the world.

Text: Art Institute of Chicago (open access). Our full story for this work is coming soon.

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About Claude Monet

Oscar-Claude Monet was a French painter and founder of Impressionism who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of Impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, Sunrise, which was exhibited in 1874 at the First Impressionist Exhibition, initiated by Monet and a number of like-minded artist

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